craftsguild.co.uk Report : Visit Site


  • The main IP address: 65.39.205.57,Your server United States,New York City ISP:Squarespace  TLD:uk CountryCode:US

    The description :hants & berks guild members represent a wide range of disciplines and styles in contemporary crafts, from ceramics, wood engraving and furniture making to jewellery, textiles and leather work. &nb...

    This report updates in 15-Jun-2018

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Latitude: 40.703872680664
Longitude: -74.012184143066
Country: United States (US)
City: New York City
Region: New York
ISP: Squarespace

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-- members about events joining contact menu the art of making members about events joining contact emily myers the potter’s wheel has always been central to my studio practice. i currently enjoy working with two contrasting clays, porcelain and red stoneware, with which i make two distinct types of ware. i aim to make strong simple forms. some vessels are faceted or carved at the leather-hard stage, in a time consuming and exacting manner. the forms are inspired by both man- made machinery such as cogs, and natural forms such as plant stems and seed pods. i have been a fellow of the craft potters’ association for more than twenty years and my work is shown at selected galleries in the u.k including the leach pottery st. ives and contemporary ceramics in london. more info richard hayward i studied at southampton and birmingham colleges of art and at shoreditch college. i design and make a wide variety of decorative and relief carvings and sculpture in wood and stone and have fulfilled commissions for numerous organisations including the nautical institute, lymington and botley european twinning associations and the hampshire buildings preservation trust. church commissions include carved limewood lecterns for tyberton parish church, herefordshire and st mary's church, alverstoke, gosport, a wood carving of christ for the parish church, purley, surrey and two carved stone heads for st. peter's. bishops waltham, hampshire. sigi hill 0 0 1 143 816 piccolpasso 6 1 958 14.0 normal 0 false false false en-gb ja x-none i studied art and design at chelsea college of art and design, london followed by a degree in three dimensional design in glass at the university for the creative arts, farnham graduating with a ba first class in 2014. i am a member of the society of designer craftsmen and the contemporary glass society. i work as an independent designer maker undertaking private commissions as well as public work and trophies. glass is my chosen material, i am drawn to the complex process of melting the solid form of glass in the kiln to a new shape; petrifying the glass at just the right moment. i like to work using glass frits; the sand like qualities appeal to me especially the resultant textures created in the kiln. i aim to create simple yet carefully considered shapes which respond to my initial inspiration or brief. more info anne hayward i studied illustration, printmaking and painting at southampton college of art and st. martin's. i am a member of the society of wood engravers [ currently hon. sec.] my wood engravings have frequently been selected for the swe annual exhibition and for the royal academy of art's summer exhibition. commissions have included illustrations for the folio society and wood engravings for hampshire museum service and the house of commons works of art committee. i work mailnly as an independent maker of wood engravings and lino-cuts.the designs are developed from my original drawings. wood engraving is a method of relief printmaking whereby a design is incised into the finely prepared end grain surface of a close grained hardwood, such as box. a roller is used to apply oil based ink to the block. pressure is then applied and prints taken. ​ nick barberton i trained as an industrial designer and apply a minimal approach to my design problems, let form follow function, watch the proportions and let the natural beauty of the wood speak for itself. this shows in my commissions and the multiples that i make for galleries - mirrors, candlesticks, boxes, music stands and stools. quiet well-made artefacts that are easy on the eye, comfortable in the hand and at peace in most peoples homes. when the tedium of controlled work gets through to me, or when a suitable piece of wood materialises, i turn a bowl, usually from green wood. i enjoy the spontaneity of lathework - chasing my interest in the wood, playing with my whims, adding a little texture or colour as i see fit, creating something unique in a day. more info nick carving harriet walford my work is about touch and play. i like it to invite you to handle the object, to explore the surfaces, interact with it and i want this to be a pleasing experience. it may contain secrets or surprises, should be well made, and is likely to have moving parts. the jewellery may often be worn in different ways and i like it to be comfortable, secure and enjoyable to wear. nearly all of my work contains balls of some sort, i do not know why! i trained as a doctor and worked in hospital before moving to general practice which is both very challenging and satisfying. i became a part time partner in a large practice in 2002 and continue to work as a g.p. particularly enjoying interaction with patients, colleagues, staff as well as the practical aspects of the job. i am a regular visitor to museums, exhibitions and galleries, and use landscape, architecture and the natural world as a basis for structure and ornamentation as well as a source of inspiration for the objects that i make. ursula waechter i came to the uk in 1979 from germany to study three dimensional design: ceramics at bath academy of art in corsham and graduated in 1982 (ba hons). in 1986 i joined the team of potters led by alan caiger-smith at aldermaston pottery, where, apart from a few years in germany, i stayed until 2007 when i moved in to my own workshop. my work is mostly thrown on the wheel with some shapes made by press moulding. i use a red earthenware body which i cover with a white tin glaze. the designs are brush painted using combinations of coloured oxides, in the tradition of aldermaston pottery. i glaze fire to between 1060 and 1080 centigrade. much of my current work is commissioned lettered pieces to commemorate weddings, birthdays and christenings. more info mark ripley i have been working full time in my own workshops for nearly thirty years as a self employed furniture maker and have been in my current space in rural hampshire since 2004. i trained in 3d design at leicester polytechnic specialising in furniture where i was inspired both by the arts and crafts movement and the design and spirituality of the shakers. my work has been a slowly evolving interpretation of english vernacular furniture emerging into a quietly restrained contemporary voice. work is available to commission and stock designs including rocking chairs and wine tables are usually available to purchase. i have also taught and written about furniture making including my own book furniture making projects and plans , (gmc publications). more info ​ ​ ​ julie ayton frsa originally trained on the acclaimed ceramics course at farnham, and until 2009 resident potter at salisbury arts centre, i now work from a private studio in the heart of salisbury. i make porcelain and stoneware pots for use and display, aiming for a balance between sound craft traditions and a fresh, contemporary appeal. i enjoy trying new things, and usually work in short series, whether of everyday ware such as mugs and bowls, or showpieces which offer scope to vary pattern or glaze from one piece to the next. i occasionally stray into figurative work too. decorated or simply glazed, all my work reflects my preference for simple, strong form. recently pattern has made a reappearance; i enjoy playing with tonal contrasts, perhaps highlighting areas with pattern or drawing attention to the swell of a bowl or the inside of a cup with a splash of eye-catching colour. for details of courses, please visit my website: www.julieayton.com hugo egleston my aim at lasham furniture workshop is to produce furniture of quality, tailored to the customer's needs. since this takes much time and skill, it is bound to be expensive, and so the result ought to be a treasured possession, now and in future generations. i think this is best achieved not by trying to be completely original all the time, although i am always looking for new and better ways of doing things, but by always combining beaut

URL analysis for craftsguild.co.uk


http://www.craftsguild.co.uk///richard-hayward/
http://www.craftsguild.co.uk///frances-marr-1/
http://www.craftsguild.co.uk///sigi-hill/
http://www.craftsguild.co.uk///nick-barberton/
http://www.craftsguild.co.uk///harriet-walford/
http://www.craftsguild.co.uk///james-morton-evans/
http://www.craftsguild.co.uk///moreinfo/
http://www.craftsguild.co.uk///mark-ripley/
http://www.craftsguild.co.uk///ruta-brown/
http://www.craftsguild.co.uk///julie-ayton/
http://www.craftsguild.co.uk///ursula-waetcher/
http://www.craftsguild.co.uk///hugo-egleston/
http://www.craftsguild.co.uk///roger-bunn/
http://www.craftsguild.co.uk///contact/
http://www.craftsguild.co.uk///caroline-egleston/
syannvanniftrik.co.uk
francesmarr.co.uk
jenniegilbert.co.uk
jamesmortonevans.co.uk
dibarraclough.org.uk
dadeymetalart.co.uk
sigihillglass.co.uk
eglestonfurniture.co.uk

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Error for "craftsguild.co.uk".

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WHOIS lookup made at 12:15:39 07-Sep-2017

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SERVERS

  SERVER co.uk.whois-servers.net

  ARGS craftsguild.co.uk

  PORT 43

  TYPE domain

DISCLAIMER
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for .uk domain names. This information and the .uk WHOIS are:
Copyright Nominet UK 1996 - 2017.
You may not access the .uk WHOIS or use any data from it except as permitted
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or hiding any or all of this notice and (C) exceeding query rate or volume
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  REGISTERED no

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